A Christine Brooke-Rose bibliography
The Guardian obituary of Christine Brooke-Rose is still the best very short introduction, I think.
It talks about the “marvellously playful and difficult novelist Christine Brooke-Rose”. She was a literary critic, an essayist, a novelist, a teacher who lived mainly in the UK and France. Her books are published mainly by Carcanet.
A Christine Brooke-Rose society was launched in 2015 but so far it has a very light footprint online.
You can download this bibliography as a .RIS file. It was last updated Feb. 2018
Auerbach, David. “Xorandor by Christine Brooke-Rose.” Waggish (blog), 2015. http://www.waggish.org/2011/xorandor-by-christine-brooke-rose/.
Bartha, Noemi-Alice. “Betweenness or an Interstitial Search for a Self.” Language and Literature : European Landmarks of Identity 8 (2011): 463–68.
Berressem, Hanjo. “Thru the Looking Glass: A Journey into the Universe of Discourse.” Review of Contemporary Fiction 9, no. 3 (1989): 128–33.
Berressem, Hanjo, Bernd Herzogenrath, Richard Martin, and Christine Brooke-Rose, eds. “[unkown].” In Near Encounters: Festschrift for Richard Martin. Frankfurt am Main ; New York: P. Lang, 1995.
Birch, Sarah. Christine Brooke-Rose and Contemporary Fiction. Oxford, New York: Clarendon Press; Oxford University Press, 1994.
———. “Christine Brooke-Rose and Post-War Writing in France.” University of Oxford, Faculty of Medieval and Modern Languages and Literature, 1991.
Boncza-Tomaszewski, Tom. “Christine Brooke-Rose: The Texterminator, an Interview.” The Independent on Sunday, March 27, 2005.
Brooke-Rose, Christine. “A for But: ‘The Custom House’ in Hawthorne’s The Scarlet Letter.” Word and Image 3, no. 2 (1987): 143–55.
———. A Grammar of Metaphor. London: Secker & Warburg, 1958.
———. A Novel Theory. The Guardian, November 16, 1970.
———. A Rhetoric of the Unreal: Studies in Narrative and Structure, Especially of the Fantastic. Cambridge: Cambridge University Press, 1981.
———. A Structural Analysis of Pound’s Usura Canto : Jacobson’s Method Extended and Applied to Free Verse. Paris: Mouton, 1976.
———. A Writer’s Constraints: James Bryce Memorial Lecture, Delivered in the Wolfson Hall, Somerville College on Tuesday, 2 March 1993. James Bryce Memorial Lectures. Oxford: Somerville College, 1993.
———. A ZBC of Ezra Pound. Berkeley: University of California Press, 1971.
———. Amalgamemnon. Manchester [Greater Manchester]: Carcanet, 1984.
———. “Anatomy of Originophobia.” The Times Literary Supplement, May 19, 1961.
———. Between. London: M. Joseph, 1968.
———. Bookmark 16: The Yorshire Ripper, Melvyn Bragg, Christine Brooke-Rose. BBC 2, May 7, 1987.
———. “Buzzards, Bloody Owls and One Hawk.” London Magazine, September 1961, 76–80.
———. “Cheng Ming Chi’i’d’.” PN Review 13, no. 5 (1987): 29–37.
———. Christine Brooke-Rose in Conversation with Nicholas Tredell. P.N. Review, September 1990.
———. “Claude Lévi-Strauss: A New Multi-Dimensional Way of Thinking.” The Times, March 2, 1968.
———. “Diary.” London Review of Books, May 10, 1990, 25.
———. “Dynamic Gradients.” London Magazine, December 1965, 89–96.
———. Ecrire Du Roman, Aujourd’hui. Villeneuve d’Ascq: Presses universitaires de Lille, 1984.
———. “Eximplosions.” Genre 14, no. 11 (1982): 9–21.
———. “Exsul.” Poetics Today 17, no. 3 (October 1, 1996): 289–303. https://doi.org/10.2307/1773410.
———. “Ezra Pound.” In Littérature De Notre Temps. Écrivains Américains / Recueil 1. Paris: Casterman, 1973.
———. “Feeding Mind.” The Times Literary Supplement, July 1, 1960.
———. “Fiction, Figment, Feindre.” Fabula, no. 3 (1984): 121–32.
———. “French Fiction: The Long Revolution.” The Times, August 3, 1968.
———. “George and the Seraph.” In Voices 2, by Michael Ratcliffe. London: M. Joseph, 1965.
———. Global Wordcrunching. City Limits, March 9, 1990.
———. Go When You See the Green Man Walking. London: M. Joseph, 1970.
———. Gold: A Poem. Aldington [Kent]: Hand and Flower Press, 1954.
———. “His Name in the Record.” The Times Literary Supplement, June 10, 1960.
———. “His Name in the Record.” In The Modern Movement: A TLS Companion, edited by John Gross. The University of Chicago Press, 1993.
———. “Histoire Palimpseste.” In Interprétation et Surinterprétation, by Umberto Eco. Formes Sémiotiques. Paris: Presses universitaires de France, 1996.
———. “Historical Genres/Theoretical Genres: A Discussion of Todorov on the Fantastic.” New Literary History 8, no. 1 (October 1, 1976): 145–58. https://doi.org/10.2307/468618.
———. “How Far de Lonh?” The Times Literary Supplement, April 14, 1966.
———. ICA talks - Christine Brooke-Rose and A. S. Byatt, in conversation. Interview by A. S. Byatt, September 9, 1986. http://sounds.bl.uk/Arts-literature-and-performance/ICA-talks/024M-C0095X0233XX-0100V0.
———. “Id Is, Is Id?” In Discourse in Psychoanalysis and Literature, by Shlomith Rimmon-Kenan. University Paperbacks. London ; New York: Methuen, 1987.
———. “Ill Locations.” Review of Contemporary Fiction 8, no. 3 (1988): 67–81.
———. “Ill Locutions.” In Narrative in Culture: The Uses of Storytelling in the Sciences, Philosophy, and Literature, by Cristopher Nash. Warwick Studies in Philosophy and Literature. London ; New York: Routledge, 1990.
———. “Ill Logics of Irony.” In New Essays on The Red BAdge of Courage, 129–46. Cambridge: Cambridge University Press, 1986.
———. “Ill Wit and Good Humour: Women’s Comedy and the Canon.” In Comparative Criticism, by E.S. Shaffer. Comparative Criticism 10. Cambridge University Press, 1989.
———. “Ill Wit and Sick Tragedy : Jude the Obscure.” In Alternative Hardy, by Lance St John Butler. Basingstoke, Hampshire: Macmillan, 1989.
———. “Illicitations.” Review of Contemporary Fiction 9, no. 3 (1989): 101–9.
———. “Illiterations.” In Breaking the Sequence, by Ellen G. Friedman and Miriam Fuchs, 55–71. Princeton University Press, 1992.
———. “Illiterazioni.” In Letteratura E Femminismi: Teorie Della Critica in Area Inglese E Americana, by Maria Teresa Chialant and Eleonora Rao, 1. ed. italiana. Leone E L’unicorno 11. Napoli: Liguori, 2000.
———. “Illusions of Parody.” Amerikastudien, American Studies 30, no. 2 (1985): 225–33.
———. “Imitations Are Proof of New Writing’s Power.” The Times, May 31, 1977.
———. Introduction to “In Transit: An Heroi-Cyclic Novel” by Brigid Brophy. 1st Dalkey Archive ed. Chicago, Ill: Dalkey Archive Press, 2002.
———. Invisible Author : Last Essays. Columbus: Ohio State University Press, 2002.
———. Kärlekens språk [The Languages of Love]. Translated by Hillevi Blomberg. Stockholm; New York: Sven-Erik Berghs Bokförlag, 1958.
———. “L’imagination Baroque de Robbe-Grillet.” Edited by Barbara Bray and John Herbert Matthews. Revue Des Lettres Modernes, no. 94–99 (1964): 129–52.
———. “La Dévaluation Du Livre.” Le Monde, January 24, 1968.
———. “La Syntaxe et Le Symbolisme Dans La Poésie de Hopkins.” Europe 25, no. 17 (1947): 30–39.
———. “Lady Precious Stream.” London Magazine, June 1964, 80–86.
———. “Lay Me by Aurelie : An Examination of Pound’s Use of Historical and Semi-Historical Sources.” In New Approaches to Ezra Pound: A Co-Ordinated Investigation of Pound’s Poetry and Ideas, edited by Eva Hesse. Berkeley: University of California Press, 1969.
———. Le membre fantôme. Translated by Bernard Hoepffner. Grenoble: Cent pages, 1990.
———. “Lettres d’Angleterre.” Nouvelle Revue Française, June 1967.
———. Life, End of. Manchester: Carcanet, 2006.
———. “Making It New.” Observer, October 2, 1966.
———. “Medium Loser. Small Winner.” In A Coin Has Two Sides: A Collection of Double Stories on the Theme of Love, by James Turner. London: Cassell, 1967.
———. “Metaphor in Paradise Lost: A Grammatical Analysis.” In Language and Style in Milton: A Symposium in Honor of the Tercentenary of Paradise Lost, edited by John T. Shawcross and Ronald David Emma, 253–303. New York: Frederick Ungar, 1967.
———. “Mood of the Month - XI.” London Magazine, September 1959, 45–50.
———. “Mourning.” Truth 1, no. 386 (December 6, 1957).
———. news of the Day Programme Four: Lorna Sage Talks to Christine Brooke-Rose. University of East Anglia Video Archive, January 9, 1990.
———. Next. Manchester: Carcanet, 1998.
———. “Notes on the Metre of Auden’s ‘The Age of Anxiety.’” Essays in Criticism XIII (1963): 253–64.
———. “On Terms.” In The Fourth Ghost Book, by James Turner. London: Barrie & Rockliff, 1965.
———. “Once Upon a Time.” Truth, no. 479 (April 27, 1956).
———. Out. London: M. Joseph, 1964.
———. “Out of the Past.” Spectator, June 12, 1964.
———. Out’s Out - It’s In to be Anti. The Guardian, November 7, 1964.
———. “Palimprestes en paragrammes : une phrase narrative bien cachée.” Caliban, no. 22 (1985): 87–99.
———. “Palimpsest History.” In Interpretation and Over-Interpretation, by Umberto Eco and Richard Rorty, 125–38. Cambridge: Cambridge University Press, 1992.
———. “Paris Letter: All the City’s a Stage.” Spectator, July 24, 1976.
———. “Paris Letter: Dramatics.” Spectator, February 28, 1976.
———. “Paris Letter: Ganging Up.” Spectator, March 27, 1976.
———. “Paris Letter: Le Pop.” Spectator, June 12, 1976.
———. “Paris Letter: Tricolore Tape.” Spectator, May 22, 1976.
———. “Piers Plowman in the Modern Wasteland.” In Ezra Pound Perspectives: Essays in Honor of His Eightieth Birthday, by Noel Stock. Chicago: H. Regnery Co, 1965.
———. “PN Review Online - Remaking - Christine Brooke-Rose - PN Review 113.” PN Review 23, no. 3 (1997). http://www.pnreview.co.uk/cgi-bin/scribe?item_id=909.
———. “Problématique de La Réception.” Revue Française Des Études Américaines, November 1986, 393–98.
———. “Quelques Remarques D’ouverture (pour Placer Le Débat Critique Dans Un Contexte Historique).” In Théorie de La Littérature et Enseignement: Colloque Des 26 et 27 Avril 1980, [Paris VIII/British Council], edited by Renaud Zuppinger. Saint-Denis [France]: Service de la Recherche de l’Université de Paris VIII, 1981.
———. Reclaim the Brain. Edinburgh Review 84, 1990.
———. “Red Rubber Gloves.” In Tales of Unease, by John Frederick Burke. London: Pan Books, 1966.
———. Remake. Manchester: Carcanet, 1996.
———. “Responses.” Truth 1, no. 196 (October 18, 1957).
———. “Return from Avilion.” The Times Literary Supplement, December 25, 1959.
———. “Round and Round the Jakobson Diagram: A Survey.” Hebrew University Studies in Literature 8, no. 2 (1980): 153–82.
———. “Samuel Beckett and the Anti-Novel.” London Magazine, December 1958, 38–46.
———. “Self-Confrontation and the Writer.” New Literary History 9, no. 1 (1977): 129–36.
———. “Southey Ends His Song.” The Times Literary Supplement, April 1, 1960.
———. Stories, Theories, and Things. Cambridge; New York: Cambridge University Press, 1991.
———. “Stories, Theories, and Things.” New Literary History 21, no. 1 (October 1, 1989): 121–31. https://doi.org/10.2307/469289.
———. Subscript. Manchester: Carcanet, 1999.
———. Such. London: M. Joseph, 1966.
———. Textermination : A Novel. New York: New Directions Books, 1992.
———. “The American Literary Scene: Writers in Search of a Community.” Observer, April 30, 1961.
———. The Christine Brooke-Rose Omnibus: Four Novels. Manchester: Carcanet, 1986.
———. “The Concept of Ambiguity - The Example of James by Shlomith Rimmon.” Poetics Today 1, no. 1/2 (October 1, 1979): 397–402. https://doi.org/10.2307/1772054.
———. “The Critic’s Eye.” The Times Literary Supplement, March 20, 1959.
———. The Dear Deceit : A Novel. London: Secker & Warburg, 1960.
———. “The Dissolution of Character in the Novel.” In Reconstructing Individualism : Autonomy, Individuality, and the Self in Western Thought, by Thomas Heller. Stanford Calif.: Stanford University Press, 1986.
———. “The Evil Ring: Realism and the Marvelous.” Poetics Today 1, no. 4 (July 1, 1980): 67–90. https://doi.org/10.2307/1771887.
———. “The Five Senses.” Whidow, no. 9 (1956): 20–21.
———. “The Foot.” In The Unlikely Ghosts: A Collection of Twelve Ghost Stories, by James Turner. London: Cassell, 1967.
———. “The Isle of Reil.” Botteghe Oscure, no. 21 (1958): 101–5.
———. The Languages of Love. London: Secker & Warburg, 1957.
———. The Languages of Love. VerbivoraciousPress, 2014.
———. “The Lunatic Fringe.” The Times Literary Supplement, August 17, 1956.
———. “The Mickiewicz Centenary.” Tablet, November 26, 1955.
———. The Middlemen: A Satire. London: Secker & Warburg, 1961.
———. “The Readerhood of Man.” In The Reader in the Text: Essays in Audience and Interpretation, by Susan E. Suleiman, 120–48. Princeton, NJ: Princeton University Press, 1980.
———. The Snow Goose and Other Stories. Harlow: Longman, 1987.
———. “The Squirm of the True I: An Essay in Non-Methodology.” Poetics and Theory of Literature 1, no. 2 (1976): 265–94.
———. “The Squirm of the True II: The Long Glasses.” Poetics and Theory of Literature 1, no. 3 (1976): 513–46.
———. “The Squirm of the True III: Surface Structure in Narrative.” Poetics and Theory of Literature 2, no. 3 (1977): 517–62.
———. The Sycamore Tree. New York: Norton, 1959.
———. “The Symbolic Rose by Barbara Seward.” The Modern Language Review 56, no. 2 (April 1, 1961): 235. https://doi.org/10.2307/3721910.
———. “The Troglodyte.” In Voices, by Robert Rubens. London: M. Joseph, 1963.
———. “The Use of Metaphor in Some Old French and Middle English Lyrics and Romances.” University College London, 1955.
———. “The Vanishing Author.” Observer, February 12, 1961.
———. “The Voice of Eternity.” The Times Literary Supplement, June 17, 1955.
———. “The World A Catechumen.” Botteghe Oscure, no. 19 (1958): 123–33.
———. “Théorie Des Genres: La Science-Fiction.” In Poétique(s): Domaine Anglais, by Alain Bony. Lyon: Presses Universitaires de Lyon, 1983.
———. Thru. London: H. Hamilton, 1975.
———. “To My Mother, Taking the Veil.” London Magazine, no. 61 (January 25, 1963).
———. “Today the Acupuncturist.” The Times Literary Supplement, January 25, 1963.
———. Tra: romanzo. Translated by Massimo Ferretti. Milano: Feltrinelli, 1971.
———. “Transgressions: An Essay-Say on the Novel Novel Novel.” Contemporary Literature 19, no. 3 (July 1, 1978): 378–407. https://doi.org/10.2307/1208276.
———. “Un Poème Sur Tout.” Quinzaine Littéraire 16, no. 31 (May 1986): 5–6.
———. “[Unknown].” In The Tiger Garden: A Book of Writers’ Dreams, by Nicholas Royle. London ; New York, NY: Serpent’s Tail, 1996.
———. Verbivore. Manchester: Carcanet, 1990.
———. “Viewpoint.” The Times Literary Supplement, June 1, 1973.
———. “Whatever Happened to Narratology?” Poetics Today 11, no. 2 (July 1, 1990): 283–93. https://doi.org/10.2307/1772617.
———. “Where Do We Go From Here?” Granta, no. 3 (1980): 161–88.
———. “Where Have All the Lovers Gone?” London Magazine, June 1964, 80–86.
———. “Woman as a Semiotic Object.” Poetics Today 6, no. 1/2 (January 1, 1985): 9–20. https://doi.org/10.2307/1772118.
———. Woman’s Hour. BBC Radio 4, September 25, 1984.
———. Writer out on a Limb. Scotsman, April 17, 1965.
———. Xorandor. Manchester [Greater Manchester]: Carcanet, 1986.
———. Xorandor. Translated by Bernard Hoepffner. Hors Collection. Cent pages, 1989.
Brooke-Rose, Christine, and Joseph Andrew Darlington. The Dear Deceit. VerbivoraciousPress, 2014.
Brooke-Rose, Christine, and Nicolas Tredell. Xorandor/Verbivore. VerbivoraciousPress, 2014.
Brooke-Rose, Christine, and Joanna Walsh. Go When You See the Green Man Walking. Verbivoraciouspress, 2014.
Cambiaghi, Mara. “Christine Brooke-Rose’s Routes of Belonging : Remake.” SPELL : Swiss Papers in English Language and Literature 19 (2007). https://doi.org/10.5169/seals-100055.
Canepari-Labib, Michela. “The Deconstruction of Racial Identity in Christine Brooke-Rose’s Out.” Annuli Anglistica 4, no. 1 (2000): 161–89.
———. Word-Worlds Language, Identity and Reality in the Work of Christine Brooke-Rose. Oxford; New York: P. Lang, 2002. http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=151566.
Carpi, Daniela. L’ansia Della Scrittura: Parola E Silenzio Nella Narrativa Inglese Contemporanea. 1. ed. Leone E L’unicorno 2. Napoli: Liguori, 1995.
Caserio, Robert L. “Mobility and Masochism: Christine Brooke-Rose and J. G. Ballard.” Novel: A Forum on Fiction 21, no. 2/3 (January 1, 1988): 292–310. https://doi.org/10.2307/1345497.
Darlington, Joseph. “A Non-Euclidean Novel: Christine Brooke-Rose’s Such and the Space-Age Sixties.” Journal of Modern Literature 40, no. 2 (Winter 2016): 147–64. https://doi.org/10.2979/jmodelite.40.2.09.
———. “The Composition of Christine Brooke-Rose’s Thru: An Afterlife of May ’68.” Journal of European Studies 45, no. 1 (March 2015): 49–64. https://doi.org/10.1177/0047244114553769.
———. “Truth, Death and Memory in Christine Brooke-Rose’s Autobiographical Writings.” Textual Practice, December 8, 2017, 1–19. https://doi.org/10.1080/0950236X.2018.1413029.
Egger-Gajardo, Stephanie. Das Prinzip Unentrinnbarkeit: Heteronormativität in Werken von Angela Carter und Christine Brooke-Rose. Würzburg: Königshausen & Neumann, 2008.
Ferris, Natalie. “Christine Brooke-Rose: The Great British Experimentalist You’ve Never Heard of.” The Guardian, March 23, 2012. http://www.theguardian.com/books/2012/mar/23/christine-brooke-rose.
———. “‘I Think I Preferred It Abstract’: Christine Brooke-Rose and Visuality in the New Novel.” Textual Practice, December 11, 2017, 1–20. https://doi.org/10.1080/0950236X.2018.1413034.
———. “‘Ludic Passage’ : Abstraction in Post-War British Literature, 1945-1980.” University of Oxford, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.722561.
Forester, G. N., and M. J. Nicholls. Verbivoracious Festschrift Volume One: Christine Brooke-Rose. Verbivoraciouspress, 2014.
Frank, Kerstin. Die Erneuerung des Romans im Zeichen postmoderner Realitätsauffassung: Sinnstiftung und Sinnzerstörung in Christine Brooke-Roses Werk. Trier: WVT Wissenschaftlicher Verlag Trier, 2008.
Friedman, Ellen G, and Richard Martin. Utterly Other Discourse: The Texts of Christine Brooke-Rose. Normal, IL: Dalkey Archive Press, 1995.
Friedman, Ellen G. “Utterly Other Discourses: The Anticanon of Experimental Women Writers from Dorothy Richardson to Christine Brooke-Rose.” Modern Fiction Studies 34, no. 3 (1988).
Friedman, Ellen G., and Miriam Fuchs. “A Conversation with Christine Brooke-Rose By Ellen G. Friedman and Miriam Fuchs | Dalkey Archive Press.” The Review of Contemporary Fiction 9, no. 3 (Fall 1989). https://www.dalkeyarchive.com/a-conversation-with-christine-brooke-rose-by-ellen-g-friedman-and-miriam-fuchs/.
Garrido Gallardo, Miguel Ángel, Tzvetan Todorov, and Christine Brooke-Rose, eds. Teoría de Los Géneros Literarios. Serie Lecturas (Madrid, Spain). Madrid: Arco/Libros, 1988.
Gortman, Alex. “On Christine Brooke-Rose.” Book Forum (blog), June 19, 2015. http://www.bookforum.com/pubdates/14718.
Goytisolo, Juan. Children of Chaos. Translated by Christine Brooke-Rose. London: Macgibbon & Kee, 1958.
Grech, Marija. “De-Gen(d)eration: Writing Thru the Seriously Playful.” Word and Text 1, no. 2 (2011): 91–100.
Guy, Adam. “‘that’s a Scientific Fact’: Christine Brooke-Rose’s Experimental Turn.” The Modern Language Review 111, no. 4 (October 2016): 936–55. https://doi.org/10.5699/modelangrevi.111.4.0936.
Hawkins, Susan E. “Innovation/History/Politics: Reading Christine Brooke-Rose’s ‘Amalgamemnon.’” Contemporary Literature 32, no. 1 (April 1, 1991): 58–74. https://doi.org/10.2307/1208338.
Hayman, David, Keith Cohen, and Christine Brooke-Rose. “An Interview with Christine Brooke-Rose.” Contemporary Literature 17, no. 1 (January 1, 1976): 1–23. https://doi.org/10.2307/1207554.
Heise, Ursula K. “Effects Predicts Cause. Brooke-Rose’s Out.” In Chronoschisms: Time, Narrative, and Postmodernism, 219–55. Cambridge [etc.]: Cambridge University Press, 1997.
Hitchcock, Victor Paul. “The Politics of Experimentalism in the Fiction of Alain Robbe-Grillet, Christine Brooke-Rose, and Wilson Harris,” 1997.
Jeffries, Stuart. “Christine Brooke-Rose Obituary.” The Guardian, March 23, 2012. http://www.theguardian.com/books/2012/mar/23/christine-brooke-rose1.
Jones, Stephanie. “The ‘difficult’ Relationship: Christine Brooke-Rose, Catholicism and Muriel Spark.” Textual Practice, December 14, 2017, 1–19. https://doi.org/10.1080/0950236X.2018.1413038.
———. “The Immensity of Confrontable Selves : The ‘Split Subject’ and Multiple Identities in the Experimental Novels of Christine Brooke-Rose.” Aberystwyth University, 2016.
Jordan, Julia. “Indeterminate Brooke-Rose.” Textual Practice, December 9, 2017, 1–17. https://doi.org/10.1080/0950236X.2018.1413039.
Kafalenos, Emma. “Textasy: Christine Brooke-Rose’s Thru.” International Fiction Review 7, no. 1 (1980).
Kermode, Frank. “Flinch Wince Jerk Shirk.” London Review of Books, April 6, 2006.
Lawrence, Karen. “Postmodern ‘Vessels of Conception’: Brooke-Rose and Brophy.” In Penelope Voyages: Women and Travel in the British Literary Tradition. Reading Women Writing. Ithaca, N.Y: Cornell University Press, 1994.
Lawrence, Karen R. Techniques for Living: Fiction and Theory in the Work of Christine Brooke-Rose. 2 edition. Columbus: Ohio State University Press, 2010.
———. “Who Could Have Read the Signs? Politics and Prediction in Gertrude Stein’s ‘Mrs. Reynolds’ and Christine Brooke-Rose’s ‘Amalgamemnon.’” Western Humanities Review 59, no. 2 (FAL 2005): 18–38.
Lecercle, Jean-Jacques. “Une lecture d’Amalgamemnon, de Christine Brooke-Rose.” Tropisms, no. 5 (1991).
Lennon, Brian. In Babel’s Shadow: Multilingual Literatures, Monolingual States. Minneapolis: University of Minnesota Press, 2010.
Little, Judy. “Amalgamemnon and the Politics of Narrative.” Review of Contemporary Fiction 9 (Fall 1989).
———. “Humoring the Sentence: Women’s Dialogic Comedy.” In Women’s Comic Visions, by June Sochen. Detroit: Wayne State University Press, 1991.
———. The Experimental Self: Dialogic Subjectivity in Woolf, Pym, and Brooke-Rose. Carbondale: Southern Illinois University Press, 1996.
Martin, Richard. “Just Words on a Page: The Novels of Christine Brooke-Rose.” Review of Contemporary Fiction 9, no. 3 (1989): 110–23.
———. “‘Stepping Stones into the Dark’: Redundancy and Generation in Christine Brooke-Rose’s Amalgamemnon.” In Breaking the Sequence: Women’s Experimental Fiction, edited by Ellen G. Friedman and Miriam Fuchs, 177–87, 1988.
McLaughlin, Brian Gerard. “Structures of Identity a Reading of the Self-Provoking Fiction of Christine Brooke-Rose, Bryan Stanley Johnson, Eva Figes, and Paul West,” 1981.
Miller, Tyrus. “Christine Brooke-Rose.” In British Writers, edited by George Stade and Carol Howard, Supplement IV:97–118. Charles Scribner’s Sons, 1997.
Pestino, Joseph Francis. “The Reader/writer Affair: Instigating Repertoire in the Experimental Fiction of Susan Sontag, Walter Abish, Réjean Ducharme, Paul West, and Christine Brooke-Rose.” Pennsylvania State University, 1986.
Peterkiewicz, Jerzy. In the Scales of Fate: An Autobiography. London ; New York: M. Boyars, 1993.
Pohl, Rebecca. “Selling Difficulty: The Case of Christine Brooke-Rose.” Textual Practice, December 15, 2017, 1–17. https://doi.org/10.1080/0950236X.2018.1413046.
Rimmon-Kenan, Shlomith. A Glance beyond Doubt: Narration, Representation, Subjectivity. Columbus: Ohio State Univ. Press, 1996.
———. “Ambiguity and Narrative Levels: Christine Brooke-Rose’s Thru.” Poetics Today 3, no. 1 (January 1, 1982): 21–32. https://doi.org/10.2307/1772204.
Robbe-Grillet, Alain. In the Labyrinth. Translated by Christine Brooke-Rose. London: Calder and Boyars, 1968.
Rose, Mark. “Reviewed Work: A Rhetoric of the Unreal: Studies in Narrative and Structure, Especially of the Fantastic by Christine Brooke-Rose.” Comparative Literature 36, no. 2 (Spring 1984): 169–71. https://doi.org/10.2307/1770605.
Sage, Lorna. Moments of Truth: Twelve Twentieth-Century Women Writers. London: Fourth Estate, 2001.
Sapio Garbero, Maria Del. “A Conversation with Christine Brooke-Rose.” In British Postmodern Fiction, edited by Theo D’Haen and Hans Bertens. Amsterdam: Rodopi B.V., 1993.
———. “Between the Frontiers: Polyglottism and Female Definitions of Self in Christine Brooke-Rose.” In Liminal Postmodernisms: The Postmodern, the (Post-)Colonial, and the (Post-)Feminist, edited by Hans Bertens and Theo D’Haen. Amsterdam: Rodopi B.V., 1994.
———. L’assenza e la voce: scena e intreccio della scrittura in Christina Rossetti, May Sinclair e Christine Brooke-Rose. Napoli: Liguori, 1991.
———. “The Fictionality of Fiction: Christine Brooke-Rose’s Sense of Absence.” In British Postmodern Fiction, edited by Theo D’Haen and Hans Bertens. Amsterdam: Rodopi B.V., 1993.
Sauvy, Alfred. Fertility and Survival: Population Problems from Malthus to Mao Tse Tung. Translated by Christine Brooke-Rose. New York: Criterion Books, 1960.
Schopohl, Eva. “(De-)Constructing Translingual Identity. Interpreters as Literary Characters in Simultan by Ingeborg Bachmann and Between by Christine Brooke-Rose.” TRANS-, no. 6 (2008). http://trans.revues.org/283.
Seed, David. “Christine Brooke-Rose Interviewed.” Textual Practice, no. 7 (Summer 1993).
Smith, Ali. “The Armchair, the World.” The Times Literary Supplement, March 24, 2006.
Sweeney, Carole. “‘Groping inside Language’: Translation, Humour and Experiment in Christine Brooke-Rose’s Between and Brigid Brophy’s In Transit.” Textual Practice, January 24, 2018, 1–16. https://doi.org/10.1080/0950236X.2018.1413047.
———. Vagabond Fictions. Gender and Experiment in British Women’s Writing, 1945-1970 Edinburgh: Edinburgh University Press, 2020. [Chap. 4. Christine Brooke-Rose: ‘un écrivain [sic] dite éxperimentale’]
The Times Literary Supplement. TLS Voices: Christine Brooke-Rose. TLS Voices. Accessed June 26, 2015. https://soundcloud.com/the-tls/christine-brooke-rose.
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———. “Literature’s Ghosts. Realism and Innovation in the Novels of Christine Brooke-Rose and A. S. Byatt.” University of Queensland, 2008. http://espace.library.uq.edu.au/view/UQ:177169.
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